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Summer Break Announcement

Hours for walk-in traffic during Summer Break:

Monday through Friday: 10 am to 3 pm

First Day of School:

For School Entry Level (5-year-olds) and Grade 2 through 12: Thursday, August 20th, 2026

For Preschool and first Grade: Monday, August 24th, 2026

> School Calendar

 

Öffnungszeiten für Besucher ohne Termin während der Sommerferien:

Montag bis Freitag: 10:00 bis 15:00 Uhr

 

Erster Schultag:

Für die Schuleingangsstufe (5-Jährige) sowie die Klassen 2 bis 12: Donnerstag, 20. August 2026

Für den Kindergarten und die erste Klasse: Montag, 24. August 2026

> Schulkalender

 

Looking back to the 1990s

Did you know . . .

that in June 1994, three motorcyclists rode their bikes across the German School (DSW/GISW) stage? As directors, Bernhard Wanders and Volker Fabricius had recruited Bernd Berg and Norbert Fischer (DSW teachers) and a parent of a DSW student to intervene as modern-day gods at the end of a theater production of the Bertolt Brecht’s “The Good Person of Szechwan.”

In a corrupt world full of greed, evil, dishonesty, and selfishness, three gods unsuccessfully attempt to find a good human being. Their well-intentioned desire to help the compassionate Shen Teh fails forcing her to wear a mask and turn herself into a masculine unemotional, vicious alter ego, Shui Ta. The gods themselves have created circumstances that make it impossible for those who wish to live good lives; even the divine is incapable of intervening on behalf of the vulnerable.

Brecht used a traditional deus-ex-machina ending but turned it upside down: An outside divine force is not able to bring a satisfying resolution the character’s problems. Going one step further, the German School production gave the play’s ending a modern spin, literally allowing each god to emerge with a real machine. But these gods, on their powerful, noisy motorcycles, were not able to swoop down from the sky to rescue the potentially good person and provide a happy end. Instead they flee to the pink clouds leaving the audience itself to find a solution: “The curtain closes; the questions remain open.” In an essentially bad world, can we find a way for a good person to remain so? Brecht suggests that humans themselves must rectify this unfairness; he hopes that each spectator will see the greed in contemporary society and act to resolve the problem.

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